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Modern day DAW control surfaces generally provide a number of features not dissimilar to those of old school analogue consoles. What Qualities Define A Control Surface For Mixing? Mixing with two hands is for some the only way to mix as it’s a quick and intuitive way of working which is why using control surface is the preferred route for many to get the job done. Engineers that are accustomed to mixing with physical faders often perform a number of mix moves in one go such as balancing multiple tracks together to perfection in what seems like a blink of an eye, try doing that one fader at a time with a mouse.
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When you mix a session using just a mouse and keyboard you generally have the ability to adjust one thing at a time in your DAW such as setting a track’s fader level or pan position, what’s wrong with working this way? Let’s answer that question with another question… Have you ever watched a skilled engineer mix on a large format console or control surface? If you have then you would have noticed that the engineer was most likely using both their hands and all of their fingers to manipulate the board. While there is nothing wrong working this way there are a few workflow limitations with mixing with a mouse that some producers cannot live with. Most producers and recording artists typically mix in-the-box using a mouse and keyboard.